![]() ![]() Most studies related to memory for harmony have focused on the syntactic aspects of harmony (for a review, see Pearce & Rohrmeier, 2018). Veridical and Schematic Memory for Harmony To imagine harmony implied by the melody, the listeners do not need to be familiar with the specific piece of music, since it can suffice if they are familiar with the style or genre (hereafter schematic memory or schematic knowledge): in other words, they can use their schematic knowledge of harmony for imagining the possible harmonic accompaniment of a melody. This is because the melody can both activate the memories of the song and unambiguously point listeners’ attention to specific moments in time within a song. This said, we think that various melody-and-accompaniment textures can be particularly helpful for testing listeners’ ability to remember the chords of the pieces of music they know well (hereafter veridical memory or veridical knowledge). On the other hand, the melody itself could become a cue to remembering the accompaniment ( Creel, 2011). Considering the salience of the main melody and the tendency for the accompaniment to be experienced not in itself but via its influence on the melody, it is reasonable to suspect that the accompaniment may be remembered less clearly than the melody. However, the perceptual subordination often means that some of the most perceptible effects of the accompaniments are experienced as changes in the way the melody is heard ( Bernstein, 1976, p. Accompanied melodies can be better enjoyed ( Galizio & Hendrick, 1972) and can lead to greater emotional arousal ( Schotanus, 2020) and a more intense perception of sadness ( Friedman, 2019) than their unaccompanied versions. Schematic memory (knowledge of Western tonal harmony) seemed to be important for rating the test chords in the all-chords condition, while veridical memory (familiarity with the songs) was especially important for rating the lure chords in the one-chord condition.Įarlier studies have shown that the accompaniment affects the listening experience even if it is perceptually subordinated to the melody. ![]() The target chords were rated higher on average than the lures and considerably higher than the clash chords. We analyzed the results on two dimensions of memory: veridical–schematic and specialized–general. One hundred and twenty participants with varying levels of music training rated on a seven-point scale if the test chord was the original. We used two conditions: in the one-chord condition we presented only the test chord, while in the all-chords condition the test chord was presented with all the chords of the original excerpt. We used three test chord variants: the target was harmonically identical to the original chord, the lure was schematically plausible but different from the original, and the clash conflicted with both the tonal center and the local pitches of the melody. The harmony was presented as a timbrally matching block-chord accompaniment to digitally isolated vocals. All other trademarks are the property of their respective owners.We studied memory for harmony using a melody-and-accompaniment texture and 10 commercially successful songs of Western popular music. HARMONY is a trademark of Roche in other countries. HARMONY and HARMONY design are trademarks of Ariosa Diagnostics, Inc. Before making any treatment decisions, all women should discuss their results with their healthcare provider, who can recommend confirmatory, diagnostic testing where appropriate. Harmony does not screen for potential chromosomal or genetic conditions other than those expressly identified in this document. Harmony test results are intended to be used in conjunction with other clinical and diagnostic results according to professional practice, including confirmatory fetal diagnostic tests, parental evaluation, clinical genetic counseling and counseling, as appropriate. ![]() NIPT is intended for prenatal screening and is not intended to be the sole basis for diagnosis. Harmony is a non-invasive prenatal test (NIPT) based on cell-free DNA analysis. The Harmony® reagents and Ariosa cell-free DNA System (AcfS) software used as part of the Harmony Prenatal Test are CE Marked under the IVD Directive 98/79/EC. The Harmony® Prenatal Test was developed by Ariosa Diagnostics (San Jose, California, USA). ![]()
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